71st Annual MPSE Golden Reel Awards Winners

Cillian Murphy is J. Robert Oppenheimer in OPPENHEIMER, written, produced, and directed by Christopher Nolan. © 2023 Universal Pictures. All Rights Reserved.

The Motion Picture Sound Editors (MPSE) announced the winners of the 71st Annual MPSE Golden Reel Awards on Sunday night.

The 71st Annual MPSE Golden Reel Awards took place at the Wilshire Ebell Theater on March 3, 2024.

71st Annual MPSE Golden Reel Awards
MPSE

MPSE FILMMAKER AWARD
Michael Dinner

MPSE CAREER ACHIEVEMENT AWARD
Dane A. Davis, MPSE

71st Annual MPSE Golden Reel Awards Sound Editorial Winners

Outstanding Achievement in Sound Editing – Broadcast Animation

Star Wars: The Bad Batch: “Faster” (Disney)

  • Supervising Sound Editors: David W. Collins, Matthew Wood
  • Sound Designer: David W. Collins
  • Sound Effects Editors: Justin Doyle, Kevin Bolen MPSE, Kimberly Patrick
  • Supervising Foley Editor: Frank Rinella
  • Foley Artists: Kimberly Patrick, Margie O’Malley, Andrea Gard

Outstanding Achievement in Sound Editing – Broadcast Long Form Dialogue / ADR

The Marvelous Mrs. Maisel: “Four Minutes” (Amazon Prime)

  • Supervising Sound Editor: Ron Bochar
  • Dialogue Editor: Sara Stern
  • ADR Editor: Ruth Hernandez MPSE

Outstanding Achievement in Sound Editing – Broadcast Long Form Effects / Foley

All the Light We Cannot See: Episode 4 (Netflix)

  • Supervising Sound Editors: Craig Henighan MPSE, Ryan Cole MPSE
  • Sound Effects Editor: David Grimaldi
  • Foley Editor: Matt Cloud
  • Foley Artist: Steve Baine

Outstanding Achievement in Sound Editing – Broadcast Short Form

The Mandalorian: “The Return” (Disney)

  • Supervising Sound Editors: Trey Turner, Matthew Wood
  • Sound Designer: David W. Collins
  • Sound Effects Editors: Luis Galdames MPSE, Kevin Bolen MPSE
  • ADR Editors: Brad Semenoff MPSE, Ryan Coda
  • Supervising Foley Editor: Frank Rinella
  • Foley Editors: Joel Raabe, Alyssa Nevarez
  • Foley Artist: Shelly Roden MPSE

Outstanding Achievement in Sound Editing – Feature Animation

Spider-Man: Across The Spider-Verse (Sony Pictures Animation)

  • Supervising Sound Editor: Geoffrey G. Rubay
  • Sound Designers: John J. Pospisil, Alec G. Rubay, Kip Smedley
  • Sound Effects Editors: Cathryn Wang, David Werntz, Bruce Tanis MPSE, Greg ten Bosch MPSE, Daniel McNamara MPSE, Will Digby, Andy Sisul
  • Supervising Dialogue Editor: James Morioka MPSE
  • Dialogue Editors: Robert Getty MPSE, Jason W. Freeman, Kai Scheer, Ashley N. Rubay
  • Foley Supervisor: Colin Lechner MPSE
  • Foley Artist: Gregg Barbanell MPSE, Jeff Wilhoit MPSE, Dylan Wilhoit
  • Supervising Music Editor: Katie Greathouse
  • Music Editor: Barbara McDermott

Outstanding Achievement in Sound Editing – Feature Documentary

32 Sounds (ArKtype)

  • Supervising ADR Editor: Eliza Paley
  • Sound Designer: Mark Mangini MPSE
  • Sound Editor: Robert Kellough MPSE
  • ADR Editor: Mari Matsuo
  • Foley Artist: Joanna Fang MPSE

Outstanding Achievement in Sound Editing – Foreign Language Feature

Society of the Snow (Netflix)

  • Supervising Sound Editors: Oriol Tarragó, Iosu Martinez, Guillem Giró
  • Foley Artists: Erik Vidal, Kiku Vidal
  • Sound Editors: Sarah Romero, Marc Bech, Brendan Golden
  • Sound Designer: Oriol Tarragó
  • Music Editor: John Finklea

Outstanding Achievement in Sound Editing – Feature Dialogue / ADR

Oppenheimer (Universal Pictures)

  • Supervising Sound Editor: Richard King
  • Supervising Dialogue Editor: David Bach
  • Dialogue Editors: Russell Farmarco, Albert Gasser MPSE

Outstanding Achievement in Sound Editing – Feature Effects / Foley

Oppenheimer (Universal Pictures)

  • Supervising Sound Editor: Richard King
  • Sound Effects Editor: Michael Mitchell
  • Sound Designer: Randy Torres Supervising
  • Foley Editor: Christopher Flick
  • Foley Artists: Dan O’Connell, John Cucci MPSE

Outstanding Achievement in Sound Editing – Non-theatrical Animation

The Monkey King (Netflix Animation)

  • Supervising Sound Editors: David Giammarco, Eric A. Norris MPSE
  • Dialogue Editor: Sean Massey MPSE
  • Sound Designers: Jon Title MPSE, Tim Nielsen
  • Foley Artists: Dan O’Connell, John Cucci MPSE

Outstanding Achievement in Sound Editing – Non-theatrical Documentary

Our Planet II: “Chapter 3: The Next Generation” (Netflix)

  • Sound Editor: George Fry

Outstanding Achievement in Sound Editing – Non-theatrical Feature

The Last Kingdom: Seven Kings Must Die (NBCUniversal)

  • Supervising Sound Editor: Jack Gillies
  • Dialogue/ADR Supervisor: Michael Williams
  • ADR Editor: Steve Berezai
  • Foley Editor: Neale Ross
  • Foley Artist: Jason Swanscott

Music Editorial Nominees

Outstanding Achievement in Music Editing – Broadcast Long Form

The Last of Us: “When You’re Lost in the Darkness” (HBO)

  • Music Editor: Maarten Hofmeijer

Outstanding Achievement in Music Editing – Broadcast Short Form

Dave: “Met Gala” (Hulu)

  • Supervising Music Editor: Amber Funk MPSE
  • Music Editor: James Sullivan

Outstanding Achievement in Music Editing – Documentary

Pianoforte (Greenwich Entertainment)

  • Supervising Music Editor: Michal Fojcik MPSE
  • Music Editor: Joanna Popowicz

Outstanding Achievement in Music Editing – Feature Motion Picture

Maestro (Netflix)

  • Supervising Music Editor: Jason Ruder
  • Music Editor: Victoria Ruggiero

Game Editorial Nominees

Outstanding Achievement in Sound Editing – Game Dialogue / ADR

Alan Wake 2 (Remedy Entertainment)

  • Audio Director: Richard Lapington
  • Senior Dialogue Designers: Taneli Suoranta, Arthur Tisseront

Outstanding Achievement in Music Editing – Game Music

Star Wars Jedi: Survivor (Respawn Entertainment)

  • Music Director: Nick Laviers
  • Music Implementers: Colin Andrew Grant MPSE, Andrew Karboski

Outstanding Achievement in Sound Editing – Game Effects / Foley

Marvel’s Spider-Man 2 (Insomniac Games)

  • Supervising Sound Editors: Ben Minto MPSE, Chris Sweetman MPSE, Csaba Wagner MPSE, Samuel Justice, Gary Miranda
  • Supervising Sound Designer: Emile Mika
  • Senior Director of Sound: Phillip Kovats MPSE
  • Director, Audio Management: Karen Read Audio Managers: Daniel Birczynski, Jesse James Allen
  • Director of Sound Design: Jeremie Voillot MPSE
  • Senior Audio Directors: Paul Mudra, Jerry Berlongieri, Dwight Okahara
  • Technical Sound Designers: Ben Pantelis, Sebastian Ruiz, Nick Jackson, Enoch Choi, Cameron Sonju, Gavin Booth
  • Lead Sound Designer: Blake Johnson
  • Senior Sound Designers: Eddie Pacheco MPSE, Tyler Cornett, Johannes Hammers MPSE, Zack Bogucki, Alex Previty, Matt Ryan, Juliet Rascon, Andres Herrera, Robert Castro MPSE, Jeff Darby, Beau Anthony Jimenez MPSE, Derrick Espino, Jon Rook
  • Sound Designers: Tyler Hoffman, Daniele Carli, Bob Kellough MPSE, Bryan Jerden, Eilam Hoffman, Graham Donnelly MPSE, Jason W. Jennings MPSE, Matt Hall, Michael Leaning, Michael Schapiro, Randy Torres, Richard Gould, Stephano Sanchinelli, Tim Walston MPSE, Tobias Poppe, Tom Jaine MPSE, Jeremy Neroes, Adam Sanchez, Brendan Wolf, Roy Lancaster, Rodrigo Robinet, Daniel Barboza, Charlie Ritter, David Goll, Chris Kokkinos MPSE, TJ Schauer
  • Foley Editors: Blake Collins, Annie Taylor, Austin Creek
  • Foley Artist: Joanna Fang MPSE

Outstanding Achievement in Sound Editing – Student Film (Verna Fields Award)

Dive (National Film & Television School)

  • Supervising Sound Editor: Simon Panayi
The 71st Annual Golden Reel Awards were held on March 3, 2024.

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Danielle Solzman

Danielle Solzman is native of Louisville, KY, and holds a BA in Public Relations from Northern Kentucky University and a MA in Media Communications from Webster University. She roots for her beloved Kentucky Wildcats, St. Louis Cardinals, Indianapolis Colts, and Boston Celtics. Living less than a mile away from Wrigley Field in Chicago, she is an active reader (sports/entertainment/history/biographies/select fiction) and involved with the Chicago improv scene. She also sees many movies and reviews them. She has previously written for Redbird Rants, Wildcat Blue Nation, and Hidden Remote/Flicksided. From April 2016 through May 2017, her film reviews can be found on Creators.