The Marvel Cinematic Universe is in good hands as Marvel Studios president Kevin Feige leads the way through The Multiverse Saga. For anyone thinking that Phase 4 doesn’t have any sort of direction, they couldn’t be more wrong. Kevin Feige always has something up his sleeves and this weekend shows what it is. While some shows appear to be one-offs like Moon Knight, others are focusing in on the Multiverse. Ms. Marvel had double duty…"The Multiverse Saga: In Kevin Feige I Trust"
Dark Phoenix makes for a satisfying conclusion to the X-Men series while we wait for the proper return of the mutants into the Marvel Cinematic Universe. “What you choose to do with your gift is entirely up to you,” Charles Xavier (James McAvoy) tells eight-year-old Jean Grey in 1975. While Simon Kinberg now moves into the director’s chair, he also makes up for the single worst X-Men film. It’s no easy task. For one, the…"Dark Phoenix closes out X-Men saga with a bang"
X-Men: Apocalypse may not be the satisfying third film in the series that one would like but it certainly does the job here. After being teased during a post-credits scene, we meet En Sabah Nur (Oscar Isaac) aka Apocalypse just before the transference. The next thing we know, it’s 1983 and Moira MacTaggert (Rose Byrne) awakens the sleeping mutant. This also launches an earthquake felt across the globe. At the same time, Mystique frees Kurt…"X-Men: Apocalypse – The Road to Dark Phoenix"
X-Men: Days of Future Past is certainly one of the best films in the entire X-Men series and unites both the new and old casts with stakes on the line. After being set up in The Wolverine, the action starts in 2023. By this point, the elder Charles Xavier (Patrick Stewart) and Erik Lehnsherr (Ian McKellan) have gotten over their differences. The two of them are working together in order to save both mutants and…"X-Men: Days of Future Past – Road to Dark Phoenix"
X-Men: First Class does a solid job in taking things back to where it all begin when both Charles Xavier and Erik Lehnsherr meet for the first time. A brief prologue lays the beginning foundations for Erik Lehnsherr (Michael Fassbender), Charles Xavier (James McAvoy), and Raven Darkhölme (Jennifer Lawrence). I like that director Matthew Vaughn opts for a shot-for-shot recreation of the X-Men opening. It’s a brilliant way to tie the new series into the…"X-Men: First Class – The Road to Dark Phoenix"
X-Men: The Last Stand is practically non-existent and we owe our thanks to the ret-con provided in X-Men: Days of Future Past. It’s a shame that Scott Summers/Cyclops (James Marsden) gets the shaft. Is this because Marsden decided to join Superman Returns? Maybe. Nobody could blame him for doing so with Bryan Singer helming the other film. With Cyclops gone, both Storm (Halle Berry) and Logan/Wolverine (Hugh Jackman) take on an increase in leadership. Wolverine…"X-Men: The Last Stand- The Road to Dark Phoenix"
X2: X-Men United is the comic book adaptation that set the benchmark for all comic book films until The Dark Knight came calling five years later. After Alkali Lake was teased at the end of X-Men, the setting plays a larger focus in the sequel. It’s the base for Col. William Stryker (Brian Cox), who happens to take on a more villainous role than Magneto (Ian McKelllan). Stryker is no fan of mutants and lets…"X2: X-Men United – The Road to Dark Phoenix"
X-Men is one of the earliest Marvel Comics adaptations to take to the big screen in the newer age of cinema in recent years. After being on his own with no memory of who he was, Logan/Wolverine (Hugh Jackman) finds himself thrown into the middle of a war between Charles Xavier (Patrick Stewart) and Erik Lehnsherr (Ian McKellan). Charles, known as the Professor, believes that mutants can co-exist with humanity. Lehnsherr, known as Magneto, doesn’t…"X-Men – The Road to Dark Phoenix"
Another day, another Hollywood blames Rotten Tomatoes on their poor summer box office showings article shows up. I can think of some great films I saw this summer but they didn’t make much money being that they were independent movies and not the product of the Hollywood studio system. So it’s sad when I see Hollywood attacking us film critics yet again for their dismal summer when there were some great films released and they…"Hollywood blames Rotten Tomatoes for Poor Summer Box Office"
Memorial Day used to mark the kick-off of the summer movie box office season but that changed the minute that Sony dated Spider-Man for release at the start of May 2002. Many films released this past month have opened below studio expectations. Are audiences tired of these tentpoles or are movies thought to be critic-proof no longer critic-proof? Before I started writing reviews regularly, I would turn to the likes of Roger Ebert for my…"Summer Box Office: Is Tentpole Fatigue in Play?"