Wes Anderson has done it again with his newest ensemble comedy, Asteroid City, releasing in theaters following its Cannes premiere. Anderson is one of those filmmakers that you either love or you don’t. I had an enjoyable enough time that I look forward to diving into the bonus features for the home release. Anyway, Anderson takes the audience to a fictional city in the American Southwest in 1955. To say that it is a small…"Asteroid City Is A Classic Wes Anderson Film"
The French Dispatch, Wes Anderson’s love letter to journalism especially The New Yorker, is a mostly good film that’s well worth the wait. This film is a series of vignettes focusing on a travelogue, art, student protests, and a police kidnapping. The four stories come from the final issue of The French Dispatch, based in the fictional French city of Ennui-sur-Blasé. Outside of the city, nothing ties them together. Together, the vignettes do feature an…"The French Dispatch Is Short of Masterpiece Status"
With a film that pays homage to Japanese cinema, Wes Anderson has done it again with the crowd-pleasing stop-motion animated feature, Isle of Dogs. Isle of Dogs is as much the story of Chief (Bryan Cranston) and Spots (Liev Schreiber) as it is 12-year-old Atari Kobayashi (Koyu Rankin). Although it left him in a three-year coma, Atari had survived an accident while his parents perished. He was left as a ward to his uncle, Mayor…"Isle of Dogs: Wes Anderson Does It Again"