While it’s no secret that 2017 was a down year for studio comedies, The House was a surprisingly okay film. This isn’t to say that it’s the best comedy of the year because it’s not but it’s not one of the downright awful films that came in the form of studio comedies this year. The comedy comes from the screenwriting team that wrote both Neighbors, Neighbors 2: Sorority Rising, and Mike and Dave Need Wedding…"The House is Surprisingly Okay"
The R-rated comedy is going to need to be revamped heading into next year because aside from Girls Trip, they landed with a dud. The best comedies this summer were all indie comedies and I’ll have more on that when I visit the summer winners on Monday. Snatched, starring Amy Schumer and Goldie Hawn, opened against King Arthur: Legend of the Sword. But a front-loaded opening weekend of $19 million wasn’t enough to keep it…"Summer Loser: The R-Rated Comedy"
(Hi there, if you’re being directed here from an article about TJM’s email, please click here). Heading into the tail end of last week, there was no score reported on Rotten Tomatoes for The Emoji Movie and there’s a reason for this–it wasn’t offered to us as a press screening. In other words, if we wanted to consider this film for awards season, we’ll have to see it ourselves. I’m not going to consider it…"I Won’t See The Emoji Movie"
Comedy movies have taken a toll at the box office this summer. What’s going on with this and how can it be fixed? Paramount, Sony, and Warner Bros. have taken a hit with Baywatch, Rough Night, and The House, respectively. I’ve seen and reviewed both Baywatch and Rough Night. The House, however, was not screened for critics. Baywatch has struggled since it’s release. It’s made just over $57 million against a $69 million budget. It’s…"The House Fails and What’s Going On With Comedy Movies This Summer?"