Dollhouse: The Eradication of Female Subjectivity from American Popular Culture is blatantly transphobic in its efforts to take a satirical look at misogyny. Writer-director Nicole Brending examines the life of fictional child star Junie Spoons by way of Behind the Tinsel. It’s clearly a satirical take of Behind the Music or similar series. While this format works, it only does so to an extent. Brending does not even allow the film’s subject to tell her…"Slamdance 2019: Dollhouse"