Dark Phoenix makes for a satisfying conclusion to the X-Men series while we wait for the proper return of the mutants into the Marvel Cinematic Universe. “What you choose to do with your gift is entirely up to you,” Charles Xavier (James McAvoy) tells eight-year-old Jean Grey in 1975. While Simon Kinberg now moves into the director’s chair, he also makes up for the single worst X-Men film. It’s no easy task. For one, the…"Dark Phoenix closes out X-Men saga with a bang"
X-Men: Apocalypse may not be the satisfying third film in the series that one would like but it certainly does the job here. After being teased during a post-credits scene, we meet En Sabah Nur (Oscar Isaac) aka Apocalypse just before the transference. The next thing we know, it’s 1983 and Moira MacTaggert (Rose Byrne) awakens the sleeping mutant. This also launches an earthquake felt across the globe. At the same time, Mystique frees Kurt…"X-Men: Apocalypse – The Road to Dark Phoenix"
X-Men: Days of Future Past is certainly one of the best films in the entire X-Men series and unites both the new and old casts with stakes on the line. After being set up in The Wolverine, the action starts in 2023. By this point, the elder Charles Xavier (Patrick Stewart) and Erik Lehnsherr (Ian McKellan) have gotten over their differences. The two of them are working together in order to save both mutants and…"X-Men: Days of Future Past – Road to Dark Phoenix"
American Animals uses a narrative/documentary hybrid approach in telling the absurd but true story of the Transylvania University library heist. Flashback to the fall of 2003 if you will. Spencer Reinhard (Barry Keoghan) is touring the Special Collections archive at the Transylvania University library. The freshman finds himself intrigued and fascinated by the artwork of John James Audubon. Admiring the artwork, Spencer starts to get these absurd idea to steal the rare collection. He manages to…"American Animals: A Crazy True-Crime Story"
American Animals takes an interesting approach to storytelling with a narrative/documentary hybrid in telling the absurd but true story of the Transylvania University library heist. Flashback to the fall of 2003 when Spencer Reinhard (Barry Keoghan) is touring the Special Collections archive at the Transylvania University library. Fascinated by the artwork of John James Audubon, Spencer starts to get these absurd idea to steal the rare collection. He does so with the help of his…"CCFF 2018: American Animals"